tag:blogger.com,1999:blog-14774288656518022512024-03-12T19:49:00.424-07:00ANGELA SGRO' design allieva del corso B prof CECILIA POLIDORI a.a 2010-2011"Non giudico i risultati del mio lavoro, giudico l'impegno, e quello per me è totale."
Cit.:Philippe StarckAngela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-1477428865651802251.post-43564307869278061342013-01-03T14:09:00.000-08:002013-09-20T10:25:37.637-07:00Tavole d'esame<span style="font-family: Georgia, Times New Roman, serif;"><br /></span><span style="font-family: Georgia, Times New Roman, serif;"><br /></span>
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<span style="font-family: Georgia, Times New Roman, serif;">Tavola manifesto</span><br />
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<a href="http://4.bp.blogspot.com/-RU-9BnRjfCY/Ujx8aGc7HlI/AAAAAAAAAqo/9-nDnSutGjs/s1600/tavola+manifesto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://4.bp.blogspot.com/-RU-9BnRjfCY/Ujx8aGc7HlI/AAAAAAAAAqo/9-nDnSutGjs/s640/tavola+manifesto.jpg" width="451" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola Inquadramento territoriale 1:5000</span></div>
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<a href="http://1.bp.blogspot.com/-nWAO4iuVzW4/Ujx8gmDkbbI/AAAAAAAAAqw/cOVgJVLLIQM/s1600/TAV1PARTENOPEmmm1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-nWAO4iuVzW4/Ujx8gmDkbbI/AAAAAAAAAqw/cOVgJVLLIQM/s640/TAV1PARTENOPEmmm1.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta parcheggio/porticiolo livello +3.30m</span><br />
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<a href="http://3.bp.blogspot.com/-PG9JtNDVq50/Ujx_YCcS7DI/AAAAAAAAAq8/V8zix8LwDg4/s1600/TAV2PARTENOPEmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/-PG9JtNDVq50/Ujx_YCcS7DI/AAAAAAAAAq8/V8zix8LwDg4/s640/TAV2PARTENOPEmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta parcheggio/stazione/piazzale inclinato e livello +6.60m</span><br />
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<a href="http://2.bp.blogspot.com/-uGeMK1GCJ9o/UjyAaORi_TI/AAAAAAAAArM/ylcBfXOhQN4/s1600/TAV3PARTENOPEmmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://2.bp.blogspot.com/-uGeMK1GCJ9o/UjyAaORi_TI/AAAAAAAAArM/ylcBfXOhQN4/s640/TAV3PARTENOPEmmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta parcheggio/stazione/piazzale inclinato e livello +6.60m</span><br />
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<a href="http://4.bp.blogspot.com/-cth4hcV8gvI/Ujx_0hBg6SI/AAAAAAAAArE/0KwRJ4KtvcI/s1600/TAV4PARTENOPEmmmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://4.bp.blogspot.com/-cth4hcV8gvI/Ujx_0hBg6SI/AAAAAAAAArE/0KwRJ4KtvcI/s640/TAV4PARTENOPEmmmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta 1° piano servizi comuni livello +9.90m</span><br />
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<a href="http://2.bp.blogspot.com/-zNjpG-vSrZY/UjyAgJqhBaI/AAAAAAAAArU/1-loTHcoQ88/s1600/TAV5PARTENOPE5mmmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://2.bp.blogspot.com/-zNjpG-vSrZY/UjyAgJqhBaI/AAAAAAAAArU/1-loTHcoQ88/s640/TAV5PARTENOPE5mmmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta 2° piano residenze livello +13.20m</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">scala 1:500</span><br />
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<a href="http://3.bp.blogspot.com/-6pdLvY4jdl4/UjyBHTElIsI/AAAAAAAAArc/cfZ_WF400_A/s1600/TAV6PARTENOPE6mmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/-6pdLvY4jdl4/UjyBHTElIsI/AAAAAAAAArc/cfZ_WF400_A/s640/TAV6PARTENOPE6mmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta 2° piano residenze livello +13.20m</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">scala 1:100</span><br />
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<a href="http://1.bp.blogspot.com/-NdR9pb3pXQU/UjyBrRPyKsI/AAAAAAAAAro/BC9Hj5Fv_MA/s1600/TAV7PARTENOPE7mm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-NdR9pb3pXQU/UjyBrRPyKsI/AAAAAAAAAro/BC9Hj5Fv_MA/s640/TAV7PARTENOPE7mm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta 3° piano residenze livello +16.50m</span><br />
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<a href="http://1.bp.blogspot.com/-4_bUgCnFQqw/UjyBs0Jtd-I/AAAAAAAAArw/ilzRIDFkreE/s1600/TAV8PARTENOPEmm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-4_bUgCnFQqw/UjyBs0Jtd-I/AAAAAAAAArw/ilzRIDFkreE/s640/TAV8PARTENOPEmm.jpg" width="452" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Tavola con pianta copertura livello +19.80m</span><br />
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<a href="http://1.bp.blogspot.com/-a4UDJujpkJc/UjyB389mizI/AAAAAAAAAr4/W5YywjSnUKc/s1600/TAV9PARTENOPEmm9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-a4UDJujpkJc/UjyB389mizI/AAAAAAAAAr4/W5YywjSnUKc/s640/TAV9PARTENOPEmm9.jpg" width="452" /></a></div>
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f<span style="font-family: Georgia, 'Times New Roman', serif;">acciamo a meno delle parole: i “</span><b style="font-family: Georgia, 'Times New Roman', serif;">Libri illeggibili</b><span style="font-family: Georgia, 'Times New Roman', serif;">” di Munari</span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;">“…il libro come oggetto, indipendentemente dalle parole stampate, può comunicare qualcosa?”</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><strong style="-webkit-text-size-adjust: none; background-color: white; border: 0px; color: #333333; font-style: italic; line-height: 22px; margin: 0px; padding: 0px; vertical-align: baseline;">Bruno Munari</strong><span style="-webkit-text-size-adjust: none; background-color: white; color: #333333; font-style: italic; line-height: 22px;">, ("Da cosa nasce cosa. Appunti per una metodologia progettuale")</span></span></div>
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<a href="http://2.bp.blogspot.com/-k28d8UUYFSo/UOYArcR0UfI/AAAAAAAAAdc/Dj6tAfCp9QY/s1600/35-MUN_MN1_int1+(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="http://2.bp.blogspot.com/-k28d8UUYFSo/UOYArcR0UfI/AAAAAAAAAdc/Dj6tAfCp9QY/s400/35-MUN_MN1_int1+(1).jpg" width="400" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white; font-size: x-small;">Partendo dalla definizione di "libro" del vocabolario - "un insieme di fogli delle stesse dimensioni, stampati o manoscritti, cuciti insieme secondo un certo ordine e racchiusi da una copertina, per lo più rigida" (Dizionario Garzanti della lingua italiana, Aldo Garzanti Editore, 1979) - e sfogliando uno dei libri "illeggibili" di Bruno Munari, risulta subito evidente che questo geniale artista e designer li ha ideati utilizzando quello che lui stesso chiama l´uso dei contrari.</span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white; font-size: x-small;">Il libro "illeggibile" che abbiamo tra le mani è stato pubblicato nel 1991, è di formato quadrato con i lati che misurano dieci centimetri. Le uniche scritte compaiono sulla copertina grigio chiaro: "Libro illeggibile MN 1 di Bruno Munari Edito da Maurizio Corraini - Mantova". Le 32 pagine sono colorate - arancio, giallo, verde, azzurro - di dimensioni differenti e sembrano legate in modo del tutto casuale da una sottile cordicella.</span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white; font-size: x-small;">Qualche notizia compare sulla bustina bianca che lo contiene: "Questo libro è stato progettato da Bruno Munari per la Galleria d´Arte Contemporanea "Maurizio Corraini" di Mantova. Fa parte di un gruppo di libri definiti "illeggibili" perché non hanno parole da leggere, ma hanno una storia visiva che si può capire seguendo il filo del discorso visivo". </span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white; font-size: x-small;">I libri illeggibili sono stati creati da Munari nel 1949 e da allora sono comparsi in varie mostre in tutto il mondo. Nel catalogo delle Edizioni Corraini, che hanno realizzato e pubblicato molte idee di Munari, figurano naturalmente anche i libri "illeggibili". "La più elementare manifestazione della fantasia - scriveva Munari - nasce, forse, dal capovolgimento di una situazione, dall´uso dei contrari, degli opposti, dei complementari: lui dice verde? io dico rosso. Una antica stampa popolare, molto nota, intitolata Il mondo alla rovescia mostra un cavallo che cavalca un uomo, un paesaggio sopra alle nuvole, alcune pecore che fanno da guardiani a un gregge di uomini, e altre amenità. I bambini ridono se noi gli diciamo che lo zucchero è amaro e si divertono molto se gli raccontiamo una storia di una tartaruga che corre come un lampo" (da Fantasia , Laterza, 1977).</span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Munari, designer, artista creativo ed eclettico lancia una sfida: dal 1949 inizia a sperimentare nuove forme di linguaggio visivo e nuovi materiali editoriali creando i “libri illeggibili”, una collana che può essere “letta” dai bambini e nella quale rilegatura, inchiostro e testi non contano nulla. Il libro diventa un oggetto che racconta storie senza l’utilizzo della parole.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Non vi è ordine, non ci sono margini e tanto meno numeri di pagine. Forme, colori e tagli sono i paesaggi di questa narrazione che non ha né inizio né fine; si può andare avanti e indietro; si possono “leggere” capovolti o da metà. Colori allegri, tristi e drammatici; forme taglienti o morbide, fori che saltellano da una pagina all’altra sono i protagonisti senza tempo e senza nome che ci accompagnano lungo un racconto sensoriale. Citando l’artista stesso, «è un libro di comunicazione plurisensoriale, oltre che visiva. Fu così che nacquero i "libri illeggibili", così chiamati perchè non c'è niente da leggere ma molto da conoscere attraverso i sensi» (B. Munari, Libri senza parole, in R. Pittarello, Per fare un libro, Milano, edizioni Sonda, 1993)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://blog.albumepoca.com/facciamo-a-meno-delle-parole-i-libri-illeggibili-di-munari/</span></div>
Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-81393602016197882952013-01-03T13:02:00.000-08:002013-01-03T13:10:57.479-08:00SCULTURA DA VIAGGIO<div style="text-align: center;">
<span style="font-family: Georgia, Times New Roman, serif;">SCULTURA DA VIAGGIO</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">-Bruno Munari-</span></div>
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<span style="background-color: white; line-height: 18px;"><span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Si può mettere una scultura in valigia?</span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: x-small; line-height: 18px;">Un'artista come Munari, c'è riuscito.</span></span></div>
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<a href="http://4.bp.blogspot.com/-rPdmecwZfCg/UOXrYE-PI8I/AAAAAAAAAas/paVffy0EhUg/s1600/munari2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: x-small;"><img border="0" height="237" src="http://4.bp.blogspot.com/-rPdmecwZfCg/UOXrYE-PI8I/AAAAAAAAAas/paVffy0EhUg/s400/munari2.jpg" width="400" /></span></a></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Provocatorio e lungimirante, Munari con sottile ironia e un sorriso, riesce a far riflettere sulle questioni più serie. </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Un punto di contatto c’è sicuramente tra le sculture da viaggio, il design e l’arte, forse è proprio la pittura astratta della serie Negativi-positivi alla quale Munari si dedicò principalmente dal 1948 al 1951, dipinti costituiti esclusivamente da forma e colore. A seconda di come l’osservatore li legge assumono una forma oppure il suo esatto contrario.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Prima di espandersi nella terza dimensione le sculture da viaggio nascono piatte, su cartoncino fustellato, inserite in una busta, come biglietti di auguri. Una volta piegate e illuminate da una fonte di luce, i pieni e i vuoti delle sculture le fanno assomigliare ai quadri negativi-positivi, in versione tridimensionale.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Solo un lieve spostamento, una leggero tocco dell’abatjour sul comodino, cambierà le ombre e le luci, creando un oggetto diverso e “i vostri pensieri da pratici diventeranno lentamente estetici (la velocità dipende da voi), non vi domanderete più cusa l’è chel rob ki”.(1) La scultura aperta nello spazio arredato, quello di una stanza ad esempio, porta in scena il design: appoggiata in piano su un comodino o su un tavolo diventa complemento di arredo, un oggetto unico, personale.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">I primi esemplari di sculture da viaggio sono chiamati Sculture pieghevoli, nel 1951; invece, risale ufficialmente al 1958 la prima scultura da viaggio, regalata come omaggio ai clienti della valigeria Valaguzza di Milano.</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Negli anni Novanta, utilizzando le forme e i progetti di queste iniziali piccole sculture in cartoncino, Munari realizza grandi sculture, che raggiungono gli 8 metri di altezza. Si basa sulla forte componente estetica che si ritrova nei tagli e nelle proporzioni delle sculture in carta, nell’armonia e nelle proporzioni, e che diventa evidente quando le sculture si aprono in piano seguendo regole precise – quasi come degli origami, se non fosse per i tagli nella carta.</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Questa componente stabilisce un equilibrio per cui possono essere realizzate anche su scale differenti, più grandi. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Un foglio di lamiera quadrata viene tagliata e piegata creando un volume-scultura in cui i pieni ed i vuoti creano forme negative-positive.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">La novità sta nel gioco di pieni e vuoti, nella semplicità del progetto che utilizza un modulo quadrato ed anche nel fatto che si introducono i tagli.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">“Certamente i collezionisti che vogliono spendere bene il loro denaro le vogliono di bronzo, magari il calco di una patata, ma di bronzo.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Io non penso ai collezionisti quando faccio le mie ricerche… ed è perciò che alcune sculture sono presentate addirittura in cartoncino, alcune sono realizzate in metallo o legno, una è di carta velina, leggerissima come un aquilone per i viaggi in aereo…” [Bruno Munari, 1958]</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: xx-small; line-height: 18px;">http://www.munart.org/index.php?p=19</span></span></div>
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Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-38718332826279402702011-02-16T09:42:00.000-08:002013-01-03T13:32:19.122-08:00KEITH HARING<div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;">
<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;">KEITH HARING</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Nasce il 4 maggio a Reading in Pennsylvania da Joan e Allen Haring.<br />1976-78 si trasferisce a Pittsburgh. Frequenta per un breve periodo una scuola d'arte applicata. Vede una retrospettiva dei dipinti di Pierre Alechinsky al Carnegie Museum. Prima personale di disegni astratti al Pittsburgh Center for the Arts.<b><span lang="EN-US">1978-79</span></b><span lang="EN-US">Si trasferisce a New York City dove frequenta la School of Visual Arts. </span>Dipinge su carta usata come sfondo per fotografie di grandi dimensioni in uno studio a livello strada sulla Ventiduesima e scambia opinioni e idee con i passanti. Registra su videocassetta l'esecuzione dei suoi dipinti.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small; line-height: 115%;">Keith Haring<br />
Murale della Marquette University, Milwaukee, Wisconsin, 1983</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small; line-height: 115%;">Keith Haring<br />
Murale della Marquette University, Milwaukee, Wisconsin, 1983</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Keith Haring<br />
Murale della Marquette University, Milwaukee, Wisconsin, 1983<br />
Fotografia di Curtis L. Carter</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">1983 Dipinge il murale per la Marquette University a Milwaukee nel Wisconsin. Partecipa alla Whitney Biennial e alla Sao Paulo Bienal. Espone opere eseguite in collaborazione con l'autore di graffiti L.A. II presso la Fun Gallery, New York, Robert Fraser Gallery, Londra e la Galerie Watari di Tokyo. Seconda personale alla Tony Shafrazi Gallery. Conosce Andy Warhol.<br />
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1984<b> </b>Dipinge murales a Sydney, Melbourne, Rio de Janeiro, Dobbs Ferry, Minneapolis e Manhattan. Crea una animazione pubblicitaria della durata di sessanta secondi per i magazzini Big di Zurigo in Svizzera.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Keith Haring mentre dipinge il murale</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">1985<b> </b>Inizia a dipingere su tela. Espone contemporaneamente i dipinti alla Tony Shafrazi Gallery e le sculture di acciaio dipinto a vivaci colori alla Leo Castelli Gallery, New York. Personale al Musée d'Art Contemporain, Bordeaux. Partecipa alla Biennale di Parigi. <span lang="EN-US">Crea le scene per Sweet Saturday Night, Brooklyn Academy of Music, New York, e The Marriage of Heaven and Hell, per the Ballet National de Marseille, Francia. </span>Dipinge uno sfondo di 7,50 x 9,50 m per The Palladium, New York. Stampa e distribuisce 20.000 manifesti Free South Africa. Disegna quattro orologi per Swatch Watch USA.</span></div>
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Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-26897315017887141582011-02-16T09:30:00.000-08:002013-01-03T13:32:34.526-08:00ROBERT INDIANI<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://robertindiana.com/</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://arthistory.about.com/cs/nameii/p/indiana.htm</span></div>
Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-22193010909978109672011-02-16T09:17:00.000-08:002013-01-03T13:34:11.212-08:00I pionieri della Pop Art<div class="MsoNormal" style="margin: 0cm 0cm 10pt; text-align: center;">
<span style="font-family: Calibri;">I disegni si rifanno a pionieri della Pop Art come Roy Lichtenstein e Robert Indiana.</span></div>
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<span lang="EN-US" style="font-family: Georgia, Times New Roman, serif; line-height: 115%;">ROY LICHTENSTEIN</span></div>
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<span style="color: #333333; font-family: Georgia, serif; font-size: x-small;">Roy Lichtenstein è nato a New York nel 1923 da una famiglia come tante.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Ha cominciato a disegnare e a dipingere per gioco, ritraendo spesso i musicisti jazz che amava ascoltare nei teatri di Harlem.</span></div>
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Si è anche iscritto ad una famosa scuola d’arte, la School of Fine Arts della Ohio State University, dove ha potuto seguire i corsi di arte di un famoso professore.</div>
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Nel 1945, dopo la guerra, alla quale aveva partecipato attivamente in Europa, si trasferì a Parigi.</div>
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In questo periodo ha dipinto opere prevalentemente geometriche, ispirate al cubismo che aveva sempre ammirato.</div>
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Fino al 1951 ha insegnato alla scuola d´arte che aveva frequentato da giovane.</div>
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La sua prima mostra personale è stata proprio nell´Ohio.</div>
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I suoi dipinti non erano facili da capire: erano un misto tra il cubismo e l´espressionismo, ma poi cominciò a spingersi verso uno stile sempre più libero e senza regole.</div>
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Creò, così, “assemblage” di oggetti in legno e quadri espressionisti, scegliendo in genere soggetti americani, come cavalli, cavalieri e indiani.</div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Image Duplicator, 1963 - il quadro nasce da una tavola disegnata da Jack Kirby per la serie X-Men</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Nel 1956, Lichtenstein realizzò una vignetta umoristica quasi per gioco, che riproduceva una banconota da dieci dollari della stessa forma rettangolare di quella vera, come se fosse un falso. Era un segnale indicatore che gli mostrava come sarebbe stata la sua arte futura.</span></div>
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<span style="color: #333333; font-family: Georgia, serif; font-size: x-small;">Fu solo nel 1961 che Roy decise che tipo di artista sarebbe stato.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Decise di insersi all´interno della Pop Art, utilizzando le immagini della pubblicità dei prodotti che le persone consumano, scegliendo, per riprodurle, il mondo del fumetto e della tecnica della stampa industriale.</span></div>
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<span style="color: #333333; font-family: Georgia, serif; font-size: x-small;">Le immagini dei fumetti più conosciuti vengono ingigantite e modificate da Lichtenstein attraverso la pittura a olio direttamente sulla tela, attraverso una tecnica che, però, rende quella stessa vignetta irriconoscibile fuori dalla sua storia originale.</span></div>
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<span style="font-size: x-small;"><span style="color: #333333; font-family: 'Georgia','serif';"> </span><span style="color: #333333; font-family: 'Georgia','serif'; line-height: 115%;">Whaaam!, 1963 - Lichtenstein posa davanti al quadro, oggi conservato alla Tate Gallery</span></span></div>
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<span style="line-height: 115%;">Nell´autunno del 1961, così, alcune sue opere vennero presentate in una famosa galleria di New York, dove Lichtenstein farà una mostra personale l´anno successivo e dove incontrerà anche Andy Warhol, il grande ispiratore della Pop Art.</span></div>
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<span style="line-height: 115%;">Durante gli anni Sessanta partecipò a tante e importanti esposizioni personali e collettive e, nel frattempo, si dedicò a tempo pieno alla </span><span style="color: #333333; font-family: 'Georgia','serif'; line-height: 115%;">pittura: a New York, a Pasadena, a Parigi, Los Angeles, Torino, e poi Minneapolis, Amsterdam, Londra, Berna e Hannover.</span></div>
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<span style="line-height: 115%;">Realizzò, inoltre, sculture di ceramica; paesaggi; dipinti di architetture monumentali e dipinti con immagini degli anni Trenta; fu una produzione molto vasta che sarà esposta in importanti musei americani, come il Los Angeles County Museum, il Salomon R. Guggenheim e il Metropolitan Museum a New York.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Nel 1970 dipinse quattro grandi murali di “pennellate” per l’Università in Germania, e venne nominato membro di un’importante Accademia delle Arti e delle Scienze. Era diventato molto importante.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Negli anni successivi sperimentò nuove tecniche artistiche: fece quadri con illusioni ottiche (Specchi, Trompe-l´oeil) e altre opere surrealiste, futuriste, espressioniste.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small;">Altre mostre che celebravano la sua arte continuarono negli anni Ottanta e Novanta, negli Stati Uniti, in Europa, e in Giappone.</span></div>
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<span style="color: #333333; font-family: 'Georgia','serif'; font-size: x-small; line-height: 115%;">Morì il 29 settembre del 1997 a New York.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://www.lichtensteinfoundation.org/frames.htm</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://www.artic.edu/aic/collections/exhibitions/Lichtenstein</span></div>
Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-8494902823543429422011-02-15T10:12:00.000-08:002013-01-03T13:37:31.308-08:00Andy Warhol<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol, il cui vero nome è Andrew Warhol, artista a tutto tondo, nasce a Pittsburgh, USA, il 6 agosto 1928. da una famiglia di immigrati slovacchi.</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Dopo gli studi elementari frequenta per un paio d'anni il Carnegie Institute of Technology di Pittsburgh, ma prima dei vent'anni si trasferisce a New York dove lavora come grafico pubblicitario per alcune riviste famose come "Vogue", "Harper's Bazar", "Glamour". </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Pieno di idee e voglia di mettersi in gioco Andy Warhol lavora come vetrinista e si cimenta nel mondo della pubblicità e della scenografia.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Autoritratti di Andy Warhol</span><br />
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1964<br />
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1966-77<br />
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1977<br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">La Hugo Gallery di New York nel 1952 ospita la prima mostra personale di Andy Warhol. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Negli anni seguenti l'artista espone alcuni disegni alla Bodley Gallery e presenta le sue Golden Shoes in Madison Avenue rivelando la sua grandezza di grafico.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Ancora alla ricerca delle vere componenti dell'arte moderna, Andy Warhol intraprende lunghi viaggi in Europa ed in Asia.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Golden Shoes 1956</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Intorno al 1960 Warhol comincia a realizzare i primi dipinti che hanno per soggetto immagini pubblicitarie o eroi dei fumetti come Dick Tracy, Popeye, Superman e le bottiglie di Coca Cola.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Utilizzando la tecnica di stampa serigrafica inizia a riprodurre oggetti comuni, facendone delle "icone simbolo" del suo tempo.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Anche i "Car Crash" (Incidenti automobilistici) e "Electric Chair" (sedia elettrica) trovano un posto emotivamente elevato.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">La Pop art, nata nei primi anni Sessanta, in Gran Bretagna, prende forma e conquista a New York con le opere di Jasper Johns e Robert Rauschenberg, due talenti che decisero di mescolare la pittura con alcuni feticci della vita reale.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">In questa atmosfera Andy Warhol evolve il suo stile pittorico, si dedica ai volti famosi, ai prodotti di largo consumo, al dollaro e alle prime pagine dei quotidiani, convinto che la riproducibilità serigrafica aggiungesse valore alla sua megalomania.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Thirteen Most Wanted Men 1964</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol si propone come imprenditore dell'avanguardia creativa di massa e da moderno mecenate e fonda la "Factory", che può essere considerata un laboratorio collettivo. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Sempre pronto a provare ogni forma di comunicazione, Andy Warhol. nel 1963 comincia una nuova avventura nel mondo del cinema, producendo due lungometraggi: "Sleep" ed "Empire", senza abbandonare la pittura, continuando ad esporre sia a Parigi che a New York.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Per il Padiglione Americano alla Fiera Mondiale di New York, nel 1964, Andy Warhol realizza la grande opera " Thirteen Most Wanted Men " e l'anno dopo espone all'Institute of Contemporary Art di Philadelphia. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Anche il mondo della musica d'avanguardia tenta Andy Warhol.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Dopo aver tentano inutilmente di creare un gruppo musicale con due celebri compositori del momento: La Monte Young e Walter de Maria, nel 1967 finanzia il primo disco del nuovo gruppo rock dei "Velvet Underground" (di Lou Reed), dipingendo anche la banana gialla su sfondo bianco della celebre copertina.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Ritratto di Hermann Hesse</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Gli interessi artistici di Andy Warhol si espandono alla Letteratura ed al Cinema, pubblica il romanzo "A: a novel" e produce il primo film in collaborazione con Paul Morissey "Flash".</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Sempre attento alla comunicazione il poliedrico artista fonda la rivista "Interview", che si occupa di cinema, moda, arte, cultura e vita mondana. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Sempre in primo piano Andy Warhol esegue molti ritratti, su commissione e scrive il libro: "La filosofia di Andy Warhol (Dalla A alla B e ritorno)", pubblicato nel 1975.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Alla fine degli anni '70 espone a Stoccarda, Düsseldorf, Monaco, Berlino, Vienna, Zurigo. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Nel 1979 il Whitney Museum di New York organizza una mostra di ritratti di Warhol, intitolata "Andy Warhol: Portraits of the 70s". </span><br />
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<span style="font-size: x-small;">Andy Warhol - ritratto di Cassius Clay</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - ritratto di Liz Tailor </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Poster per Centenario Ponte di Brooklin 1983</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Negli anni '80 l'interesse di Andy Warhol viene monopolizzato dallo studio e dalla produzione dei suoi rifacimenti di opere dei grandi maestri del Rinascimento: Paolo Uccello, Piero della Francesca e Leonardo da Vinci, da cui ricava il ciclo "The Last Supper" (L'ultima cena).</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol muore improvvisamente a New York il 21 febbraio 1987 per una semplice operazione chirurgica.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Per finanziare la "Andy Warhol Foundation for the Visual Arts." nel 1988, vengono venduti all'asta da Sotheby's 10.000 oggetti di sua proprietà e l'anno dopo il Museum of Modern Art di New York gli dedica una grandiosa retrospettiva.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Particolare di"The Last Supper" (L'ultima cena).</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Autoritratto</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - Autoritratto</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Andy Warhol - 1967</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">Fonti: http://www.windoweb.it/guida/arte/biografia_andy_warhol_3.htm</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://www.warhol.org/</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://www.webexhibits.org/colorart/marilyns.html</span></div>
Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-85060523775843045242010-12-08T02:44:00.000-08:002013-01-03T13:47:16.516-08:00ALESSANDRO MENDINI - " Ho fatto finta di cucinare, prendere i colori,gli oggetti e mischiarli col mescolo,amalgamandoli..."<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - InterpareteSANFRACISCO</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - Alchimie</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;"><strong> </strong> MENDINI <strong>- Kandissi</strong>, <em>divano</em> 1979</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;"><em>MENDINI - cavatappi</em>, produzione Alessi 1994</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - <strong>Shama</strong>, <em>installazione </em>Arezzo 1992</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - Archetto, mobile da centro a specchio</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - <strong>Mobili per uomo: Scarpa</strong>, <em>produzione Bisazza</em> 1996</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - Sedia scivolavo</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">MENDINI - MonumentinoCassin</span>a</div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">http://atcasa.corriere.it/designer/alessandro-mendini.shtml</span></div>
Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-61122774855501603502010-12-08T02:09:00.000-08:002013-01-03T13:48:20.558-08:00ALESSANDRO MENDINI - La Poltrona Proust<div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;">
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Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-47589613792543194152010-12-08T01:26:00.000-08:002013-01-03T13:30:57.226-08:00"come un gioco" ETTORE SOTTSASS Carlton bookcase by Menphis Italy<div class="separator" style="clear: both; text-align: center;">
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Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-3205984414654303152010-11-20T07:18:00.000-08:002010-11-20T07:18:26.034-08:00 <div class="wp-caption-text"><strong>Vieira & Macedo - Nona Arte</strong></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/_V8DxRD13VI0/TOflTHiiUZI/AAAAAAAAADU/l9iixPLEuSM/s1600/nona_arte__wilson_vieira__fred_macedo__caricatura_500_01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="281" ox="true" src="http://1.bp.blogspot.com/_V8DxRD13VI0/TOflTHiiUZI/AAAAAAAAADU/l9iixPLEuSM/s400/nona_arte__wilson_vieira__fred_macedo__caricatura_500_01.jpg" width="400" /></a></td></tr>
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</tbody></table> <div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><span style="color: #ff6600;"><strong><span style="color: black;">WILSON</span></strong><span style="color: black;"> </span><strong><span style="color: black;">VIEIRA</span></strong><span style="color: black;"> </span></span><span style="color: black;">-</span><strong><span style="color: black;"> Classe 1949. Disegnatore e sceneggiatore brasiliano, soggiorna in Italia dal 1973/1980. Studia presso l’istituto d’arte Lorenzo de Medici a Firenze, si forma professionalmente presso lo Staff di IF a Genova (gruppo di autori di fumetti creato da Gianni Bono). </span></strong></div>Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0tag:blogger.com,1999:blog-1477428865651802251.post-49099316187778935052010-11-11T13:38:00.000-08:002013-01-03T13:41:58.203-08:00Marylin Monroe<div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;">
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Angela Sgròhttp://www.blogger.com/profile/13870517648857494466noreply@blogger.com0